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<title>Natasha Cooper - Free Library Land Online - Writing</title>
<link>https://writing.library.land/</link>
<language>ru</language>
<description>Natasha Cooper - Free Library Land Online - Writing</description>
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<title>Poison Flowers</title>
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<link>https://writing.library.land/natasha-cooper/386074-poison_flowers.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/poison_flowers.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/poison_flowers_preview.jpg" class="fr-fic fr-dib" title ="Poison Flowers" alt ="Poison Flowers"/></a><br//>Three people die, in agony, each the victim of a different person. The police are convinced that there is no connection. Inspector Tom Worth disagrees. So does Willow King. Risking not only the secrets of her double identity, but also her own life, Willow races to unmask the serial killer before anyone else is murdered. From the dreariness of her part-time job in Clapham to the luxury and extravagance of her life in Belgravia, this most unusual female sleuth takes up the challenge and becomes involved in an exciting but near-fatal adventure. 'Willy and elegant . . . an excellent read' Publishing News 'A well written, consistently enjoyable English antidote to the sometimes over-muscular American fashion' Marcel Berlins, The Times (Bitter Herbs) 'Willow is a beguiling heroine' Francis Fyfield, Evening Standard (Bloody Roses)]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 25 Nov 1996 09:42:12 +0200</pubDate>
</item><item>
<title>Creeping Ivy</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/376339-creeping_ivy.html</guid>
<link>https://writing.library.land/natasha-cooper/376339-creeping_ivy.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/creeping_ivy.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/creeping_ivy_preview.jpg" class="fr-fic fr-dib" title ="Creeping Ivy" alt ="Creeping Ivy"/></a><br//><div>When Antonia Weblock's daughter, Charlotte, vanishes from a London 
playground, even her enemies are sympathetic. Villified for putting her 
City career above her child's welfare, she has plenty of those.She
 turns to barrister Trish Maguire for help. As a specialist in the 
darkest cases involving children, Trish knows exactly what can happen to
 them at the hands of abusive adults.  While she does everything she can
 to support Antonia, the police pull out all the stops to find 
Charlotte, asking the questions that are in everyone's mind: did she 
wander off or was she kidnapped? Could her apparently devoted nanny have
 killed her and hidden the body? Why wasn't her stepfather looking after
 her as he'd promised? And where was her real father when she 
disappeared?No one who knows Charlotte can be above suspicion and it is not long before Trish herself is at risk.</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 24 Nov 1998 04:10:01 +0200</pubDate>
</item><item>
<title>A Poisoned Mind</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/376340-a_poisoned_mind.html</guid>
<link>https://writing.library.land/natasha-cooper/376340-a_poisoned_mind.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/a_poisoned_mind.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/a_poisoned_mind_preview.jpg" class="fr-fic fr-dib" title ="A Poisoned Mind" alt ="A Poisoned Mind"/></a><br//><div>In spite of the barristers' rule that any suitably qualified member of
 the Bar who is free to take an offered case must do so, QC Trish 
Maguire can't quite understand how her head of chambers, Anthony 
Shelley, can accept a case defending the corrupt Clean World Waste 
Management company. So, when the brilliant and cynical Anthony is nearly 
killed in an accident, Trish is faced with a painful dilemma: Does she 
take over the company's defense, or threaten her hard-won career by 
refusing to appear in court against Angie Fortwell, the impoverished 
widow of a hard-working farmer? As Trish delves deeper into the case, 
she grows more and more troubled by a nagging thought: Was the explosion
 that killed Angie's husband really an accident, or the result of 
sabotage? With all this going on at work, the last thing Trish 
needs is the possibility of explosions at home. Yet she can't simply 
walk away from Jay, the clever but damaged fourteen-year-old boy who has
 attached himself to her family...especially when his mother is found 
beaten and close to death.  </div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 24 Nov 2008 04:10:02 +0200</pubDate>
</item><item>
<title>Rotten Apples</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/386075-rotten_apples.html</guid>
<link>https://writing.library.land/natasha-cooper/386075-rotten_apples.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/rotten_apples.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/rotten_apples_preview.jpg" class="fr-fic fr-dib" title ="Rotten Apples" alt ="Rotten Apples"/></a><br//>Death . . . and taxes Willow King, civil servant, and Cressida Woodruffe, author of sweeping romances, are one and the same. But it is the former who's called into play when she is asked to probe the case of Fiona Fydgett, a famous art historian whose tax affairs are under investigation by Inland Revenue. By all accounts, Fiona killed herself&#8212;and whispers of harassment by the tax office needs to be explored. But when Willow's police officer husband is mysteriously shot, and a fire in the tax office kills the investigator on the Fydgett case and nearly kills Willow, a simple case turns both urgent and very personal . . . 'A strong heroine, an inventive plot with an unexpected climax . . .' Booklist '. . . clever, unpredictable and thoroughly absorbing.' Publishers Weekly 'An elegant sleuth.' Cosmopolitan]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 25 Nov 2009 09:42:13 +0200</pubDate>
</item><item>
<title>Bloody Roses</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/bloody_roses.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/bloody_roses_preview.jpg" class="fr-fic fr-dib" title ="Bloody Roses" alt ="Bloody Roses"/></a><br//>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 24 Nov 2011 04:10:03 +0200</pubDate>
</item><item>
<title>Out of the Dark</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/386077-out_of_the_dark.html</guid>
<link>https://writing.library.land/natasha-cooper/386077-out_of_the_dark.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/out_of_the_dark.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/out_of_the_dark_preview.jpg" class="fr-fic fr-dib" title ="Out of the Dark" alt ="Out of the Dark"/></a><br//><div id="iframeContent">How could anyone refuse to help an eight-year-old boy running for his life?In
 the fourth Trish Maguire novel, her whole world is changed when the boy
 is knocked over by a skidding car outside her London flat. Fighting
 to save his life, the casualty team find Trish's name and address sewn 
into his clothes. He looks so like her that the police are convinced 
he's her son. Only she knows he can't be. So who has sent him? And why?Her
 desperate search for his identity takes Trish to a brutal inner-city 
housing estate, where she picks up the trail of a violent murder. It is 
not long before she discovers that the chief suspect is her father...</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 25 Nov 2002 09:42:14 +0200</pubDate>
</item><item>
<title>A Place of Safety</title>
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<link>https://writing.library.land/natasha-cooper/376338-a_place_of_safety.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/a_place_of_safety.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/a_place_of_safety_preview.jpg" class="fr-fic fr-dib" title ="A Place of Safety" alt ="A Place of Safety"/></a><br//><div>Trish Maguire brings her forensic intelligence to bear on the dark 
secrets behind the paintings in the collection.  Hidden away end of the 
First World War, they are now curated by an expert with scandal in his 
past and all too many threats to face in the present.  Taking a 
crash course in the dark mysteries of the art world, Trish must also 
help her young half-brother come to terms with his mother's violent 
death.  Having learned about the agonizing reality of life in the 
trenches, lightened only by an engrossing love story, she uncovers a web
 of deceit that has spanned the decades since 1918.  Now the innocent, 
the violent, and the victims all have to free themselves. And not 
everyone can escape with their life.</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 24 Nov 2003 04:10:00 +0200</pubDate>
</item><item>
<title>Sour Grapes</title>
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<link>https://writing.library.land/natasha-cooper/386076-sour_grapes.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/sour_grapes.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/sour_grapes_preview.jpg" class="fr-fic fr-dib" title ="Sour Grapes" alt ="Sour Grapes"/></a><br//>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 25 Nov 2014 09:42:13 +0200</pubDate>
</item><item>
<title>Bitter Herbs</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/376337-bitter_herbs.html</guid>
<link>https://writing.library.land/natasha-cooper/376337-bitter_herbs.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/bitter_herbs.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/bitter_herbs_preview.jpg" class="fr-fic fr-dib" title ="Bitter Herbs" alt ="Bitter Herbs"/></a><br//>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 24 Nov 2002 04:09:59 +0200</pubDate>
</item><item>
<title>A Greater Evil</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/376336-a_greater_evil.html</guid>
<link>https://writing.library.land/natasha-cooper/376336-a_greater_evil.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/a_greater_evil.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/a_greater_evil_preview.jpg" class="fr-fic fr-dib" title ="A Greater Evil" alt ="A Greater Evil"/></a><br//><div>Sculptor Sam Foundling is 
the obvious suspect when his wife Cecilia is found beaten to death in 
his studio.  Trish acted as Sam's barrister years 
ago, when he was an abandoned child being brutalised in care.  Trying to protecting him now will bring her up against DCI Caro Lyalt, the 
senior investigating officer, who is also her own best friend.Evidence
 against Sam mounts up. Cecilia's powerful mother is pressing for his 
arrest and the police hierarchy want him charged for the brutal murder. If 
Trish is to save Sam's sanity, and her own, she must find out exactly what happened in the studio that morning.</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 24 Nov 2007 04:09:58 +0200</pubDate>
</item><item>
<title>Fruiting Bodies</title>
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<link>https://writing.library.land/natasha-cooper/377836-fruiting_bodies.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/fruiting_bodies.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/fruiting_bodies_preview.jpg" class="fr-fic fr-dib" title ="Fruiting Bodies" alt ="Fruiting Bodies"/></a><br//>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 24 Nov 2002 06:00:47 +0200</pubDate>
</item><item>
<title>Festering Lilies</title>
<guid isPermaLink="true">https://writing.library.land/natasha-cooper/377835-festering_lilies.html</guid>
<link>https://writing.library.land/natasha-cooper/377835-festering_lilies.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/festering_lilies.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/festering_lilies_preview.jpg" class="fr-fic fr-dib" title ="Festering Lilies" alt ="Festering Lilies"/></a><br//>The Department of Old Age Pensions is not noted for drama. Nor for scandal, corruption or even the odd leak to the tabloids. Not until Algernon Endlesham, its high-flying Minister, is brutally bludgeoned to death. Willow King, Assistant Secretary (Finance), is noted for her formidably enquiring mind. Though an enquiry is the last thing she could wish for. Especially if daunting ex-SAS Inspector Worth uncovers her figment of an alibi and well-kept secret. Disconcertingly for Willow, however, someone has a very violent means of silencing the curious . . . 'A smart plot with some clever twists' Oxford Times 'Festering Lilies is witty and elegant. It is a pleasure to light on a new talent' The Bookseller 'Instead of the physical violence in which heroes of thrillers usually engage, Willow proves her superiority by verbal decimation . . . as she effortlessly trumps male condescension'...]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 24 Nov 2000 06:00:47 +0200</pubDate>
</item><item>
<title>Gagged &amp; Bound</title>
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<link>https://writing.library.land/natasha-cooper/377837-gagged_and_bound.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/gagged_and_bound.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/gagged_and_bound_preview.jpg" class="fr-fic fr-dib" title ="Gagged & Bound" alt ="Gagged & Bound"/></a><br//><div>London is awash with secret information and vicious rumour. A 
politician fights for his reputation. Gangs of organized criminals 
poison the streets with their lesson that greed and violence always pay.
 Some of those who hunt them bend the rules; others take their money. A 
whistleblower goes in fear of her life. Trish and her close 
friend, DI Caro Lyalt of the Met, will have to disentangle fact from 
fiction if they are to protect the innocent and pin down the guilty, but
 their actions will also bring danger horrifyingly close to home...</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 24 Nov 2005 06:00:48 +0200</pubDate>
</item><item>
<title>Fault Lines</title>
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<link>https://writing.library.land/natasha-cooper/377834-fault_lines.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/natasha-cooper/fault_lines.jpg"><img src="https://picture.graycity.net/img/natasha-cooper/fault_lines_preview.jpg" class="fr-fic fr-dib" title ="Fault Lines" alt ="Fault Lines"/></a><br//><div>In a particularly difficult case of 
alleged child abuse, Trish knows that the jury’s decision hinges on the 
persuasive testimony of her friend and star witness, Kara Huggate. When 
Kara doesn’t appear at the trial, Trish realizes that something must have 
gone terribly wrong. She returns to her chambers after court to 
find the police waiting for her with some horrifying news: Kara has been
 brutally raped and murdered. At first it seems as though her attacker 
was the Kinsford Rapist – a serial rapist and killer who has managed to 
elude the police. Then several inexplicable clues indicate that the 
murderer may have been a copycat. Trish receives a letter from 
Kara, posted the night of her death, asking her to help a suspicious man
 named Blair Collons. Although Trish decides to help him out of loyalty 
and affection for her friend, she cannot understand why Kara cared so 
much for the paranoid and strangely obsessive Blair. Soon Trish finds 
herself mired in his unhappy story, with potentially devastating 
consequences.</div>]]></description>
<category><![CDATA[Natasha Cooper]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 24 Nov 1999 06:00:46 +0200</pubDate>
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