Speculation, p.1

Speculation, page 1

 

Speculation
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Larger Font   Reset Font Size   Smaller Font  
Speculation


  SPECULATION

  GUEST POETRY AND FICTION EDITORS

  ED PAVLIĆ AND IVELISSE RODRIGUEZ

  Editors-in-Chief Deborah Chasman & Joshua Cohen

  Senior Editor Matt Lord

  Digital Director Rosie Gillies

  Audience Engagement Editor Ben Schacht

  Manuscript and Production Editor Hannah Liberman

  Assistant to the Publishers Irina Costache

  Fellowship Coordinator Jasmine Parmley

  Contributing Editors Adom Getachew, Lily Hu, Walter Johnson, Robin D. G. Kelley, Paul Pierson, & Becca Rothfeld

  Contributing Arts Editors Ed Pavlić & Ivelisse Rodriguez

  2022 Annual Poetry Contest Judge Donika Kelly

  2022 Aura Estrada Short Story Contest Judge Jordy Rosenberg

  Black Voices in the Public Sphere Fellows Maya Jenkins & N’Kosi Oates

  Editorial Assistants Cameron Avery & Zara Kulatunga

  Finance Manager Anthony DeMusis III

  Printer Sheridan PA

  Board of Advisors Derek Schrier (Chair), Archon Fung, Deborah Fung, Richard M. Locke, Jeff Mayersohn, Scott Nielsen, Robert Pollin, Rob Reich, Hiram Samel, Kim Malone Scott, & Brandon M. Terry

  Interior Graphic Design Zak Jensen & Alex Camlin

  Cover Design Alex Camlin

  Speculation is Boston Review issue 2023.1 (Forum 25 / 48.1 under former designation system)

  A version of “Another Future Is Possible” will appear in a forthcoming anthology entitled Finance Aesthetics: A Critical Glossary. Thank you to the editors of that project for granting permission to publish this contribution. The anthology is due to be published with Goldsmiths University Press next year (Tygstrup et al., 2024).

  “Cassandra Data” is excerpted from a longer work by Sandra Simonds.

  To become a member, visit bostonreview.net/membership/

  For questions about donations and major gifts, contact Rosie Gillies, rosie@bostonreview.net

  For questions about memberships, email members@bostonreview.net

  Boston Review

  PO Box 390568

  Cambridge, ma 02139

  issn: 0734-2306 / isbn: 978-1-946511-76-8

  Authors retain copyright of their own work.

  © 2023, Boston Critic, Inc.

  d_r0

  Contents

  EDITORS’ NOTE

  ANOTHER FUTURE IS POSSIBLE

  THE ORIGIN OF COW THERAPY

  TWO POEMS

  UNLEASHING NIGHTMARES: OCTAVIA BUTLER’S HEART OF DARKNESS

  TWO POEMS

  EXODUS

  SAINT LILLIE

  THE NEW MORAL MATHEMATICS

  CASSANDRA DATA

  THE GOD GENE

  FOOTAGE OF BENJAMIN, THE LAST LIVING TASMANIAN TIGER—1935, COLORIZED

  IT’S A THING

  CAT OF NINE TAILS

  TWO POEMS

  AN ISLAND WITHOUT SEA

  LITTLE ROCK SQUAWK OR PERSEVERANCE AT THE POND

  POST-LITERATURE

  ANGELS OF HISTORY

  CONTRIBUTORS

  EDITORS’ NOTE

  Deborah Chasman & Hannah Liberman

  art can possess the prophetic quality to imagine where we are going. It is perhaps no surprise, then, that in a world-historical moment of global upheaval and transformation, speculative writing is enjoying a renaissance. As a creative faculty, speculation is Janus-faced, looking to the past as well as the future.

  The word itself has two opposed senses. On the one hand, speculation about land and resources has fueled colonialism and empire, the booms and busts of commodities markets, and the ecological extraction that has put our planet on a path of climate devastation. But speculation also has a constructive meaning: it can help us plot new paths to a more just world. When we speculate, we take a risk, daring to reject dominant ideas about what is possible. As sociologist Aris Komporozos-Athanasiou puts it in his contribution, “speculation tosses the coin of uncertainty in the hope of seeing through a haze-draped future.” It in this sense that some of the most influential social movements today might be said to be radically speculative: Black Lives Matter envisions a world free of racial violence, just as #MeToo imagines a world free of gendered violence.

  The texts in this volume—poetry, stories, and essays—approach speculation in multiple ways. Creative works range over violence and healing, memory and erasure, and alternative worlds. Kenda Mutongi reflects on the meaning of land and community in the African diaspora. Junot Díaz celebrates the speculative fiction of Octavia Butler. Kieran Setiya investigates the ethics of the far future. Taken together, they suggest that speculation is ultimately about “our relationships with one another,” as Andy Battle concludes: “what they have been, what they are, and most important, what they could be.”

  We thank former Boston Review arts editor Adam McGee, contributing poetry editor Ed Pavlić, and contributing fiction editor Ivelisse Rodriguez for all their help realizing this issue. We're also grateful to our 2022 poetry and fiction contest judges, Donika Kelly and Jordy Rosenberg.

  ANOTHER FUTURE IS POSSIBLE

  Aris Komporozos-Athanasiou

  The cautious merchant and the keen manufacturer were equally unable to resist the speculation. It spread among them like a leprosy. It ruined alike the innocent and the guilty. It periled many a humble home; it agitated many a princely dwelling. Men hastened to be rich and they were ruined. They bought largely; they subscribed eagerly; they forsook their counting-houses or companies; if successful they continued on their course, and if the reverse they too often added to the misery of the homes they had already desolated, by destroying themselves.

  —John Francis on the 1846 Railway Mania

  The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.

  —Ursula K. Le Guin

  whether in markets or in philosophy, speculation tosses the coin of uncertainty in the hope of seeing through a haze-draped future. A mirror (speculum) and a watchtower (specula), it animates a certain vision. From the leaps of scientific revolutions and technological futures to the pursuit of dreams and mystical theologies, speculators have always sought to capture what lies ahead.

  Speculation encompasses a duality at the core of all financial activity. When pushed to its outermost limit, it can unleash formidable destructive forces and lead to the burst of market bubbles, such as seventeenth-century Amsterdam's notorious tulip craze, the Victorian era's railway manias, last century's Great Depression, or the more recent 2008 global financial crisis. During these periods, market “passions” take hold: traders venerate ethereal values with no material referents or links to “fundamentals.” Yet speculation is also the market's indispensable lubricant. All speculative trades calibrate risks to generate yields and prevent markets from “overheating.” Here's the definition of “speculation” provided by the Oxford Dictionary of Finance and Banking:

  The purchase or sale of something for the sole purpose of making a capital gain. For professional speculators the security, commodity, and foreign exchange markets are natural venues as they cater for speculation as well as investment and trading. Indeed, speculators help to make a viable market and thus smooth out price fluctuations. This is particularly true of commodity futures and option markets.

  Speculation's greatest gift to markets is stability, not crisis: absorbing volatility by “smooth[ing] out price fluctuations” and generating liquidity. For those in the business of trading, speculation means betting on possible future movements of asset prices, but it also involves dealing in risky assets (including derivatives and futures) with the goal of providing insurance against price movements. Speculators, in other words, both “short” and “hedge” uncertainty. Throughout capitalism's history, defenders and opponents of speculation have foregrounded one function over the other to mark it as a virtue or as a vice.

  iconic anarchist thinker Pierre-Joseph Proudhon, in his 1857 Stock Exchange Speculator's Manual, famously distinguished between the greedy financiers of the Paris stock market—whom he lamented as “pure, corrupt, and unproductive gamblers”—and what he saw as more productive forms of speculation. When sought for its own sake, speculation is circular, autotelic, and parasitic on the real economy. When put to “productive use,” however, it can also be generative, exciting, and imaginative: a source of the “the genius of discovery . . . that invents, innovates . . . [and] creates something from nothing.”

  As markets in the global centers of capitalism sought to expand their insatiable financial activities over the course of the nineteenth century, they vied fervently for control over the power of speculation. Just as Proudhon was writing his Manual, a new kind of speculative market was being established some four thousand miles west of the Paris Bourse. In 1848 the Chicago Board of Trade (CBOT) was founded. In the coming decades, it would become the world's first organized exchange for futures contracts: standardized agreements to buy or sell an “underlying asset” (predominantly grains such as wheat from the city's hinterland), at a guaranteed price for delivery at a specified future time. Trading futures ostensibly served the hedging side of speculation's coin, functioning as insurance against volatility for farmers whose harvest was exposed to radical and incalculable weather uncertainties.

  Speculators stepped in to take on the unwanted risk at a discount (thus performing a social function), while farmers received security and the market remained liquid. Yet no bushels of grain were being moved because of these trades, and actual contracts n ever exchanged hands in the CBOT. Soon after the launch of the future contract, the circulation of “phantom wheat” in the pit vastly overtook that of the real grain produced in farms; futures traders engaged in “fictitious dealings” that were entirely unmoored from the corporeal economy. Was this kind of speculation ethical? Was it different from ordinary gambling? Advocates of futures contracts and the CBOT's influential allies believed so. State courts enshrined the legal right of futures traders to short sell for their alleged positive effect on setting off prices in the real economy, and successive governments sanctioned the promise of even the most fictitious of trades “to financially stabilize an inherently unstable capitalism.” Importantly, speculative bets made in the pit were painstakingly distinguished from the wagers placed outside of incorporated commodities, which were systematically slated. In the mushrooming bucket shops (informal establishments open to anyone who wanted to wager small sums on the price movements of stocks in formal exchanges) strewing U.S. cities of the fin de siècle, speculation was becoming a game for the many.

  This was the disorganized speculation associated typically with farmers and people of color, with migrant urban workers and women—groups that were not only excluded from the futures markets (even through, for some, these markets defined the prices of their products and hence their livelihoods) but were also derided as morally repugnant. The imagined netherworld of dingy gambling houses served as a convenient scapegoat to the celestial halls of futures trading. By transposing the evils of speculation to outcast lay bettors, the pits’ denizens and their powerful institutional allies buttressed the legitimacy of Homo economicus. They cast it as a noble figure and stood it at the helm of U.S. capitalism.

  Yet speculative activities across organized exchanges and informal bucket shops had deeper affinities in the Victorian era. Speculators from all walks of life wielded a vivid imagination to navigate the inherent opacity of staking the future. Flight from reality was not the exclusive purview of irrational and exuberant “crowds.” Professional financiers, too, regularly turned to occult technologies of market prognostication, their speculations meandering through the worlds of magic, superstition, and tarot card reading. Stock markets’ close encounter with astrology is perhaps the most telling of this enmeshment of the rational/scientific and the irrational/spiritual: Wall Street traders lined up to heed the predictions of financial astrologers such as the notorious Evangeline Adams, while mainstream financial technologies were adopting horoscopic methods that sought to map the movements of markets onto those of stars.

  In the dawn of finance capitalism's modern era, speculation created a world that was at once obscure and spectacular, full of stardust and bitter conflicts—a world that was far from insulated from broader social reality. Speculators were a mirror image of society rather than a deviation from it, reflecting its drive to lay wagers on the unknown in the face of radical uncertainty.

  this world is one we can still recognize as ours. Following a period of unbridled financialization during the later part of the twentieth century (heralded by the momentous repeal of the Glass-Steagall legislation allowing commercial banks to act as financial traders), contemporary economies and societies are once again steeped in the whirlpool of speculation. In today's turbocharged financial markets, speculation is even more opaque because of the highly complex technologies on which it relies: machine learning, algorithmically powered, superfast trading systems whose inner workings are often indiscernible even to traders themselves. High-frequency automated trading takes place in virtual pits, with data scientists and coders quietly monitoring a ceaseless search for patterns through stacks of data, including predictive analysis of social media content that informs trading decisions (not all that different from the practices of yesteryear's financial astrologists).

  On the most obscure end of these markets, speculators submerge themselves in “dark pools,” which are exclusive forums for block trading securities that evade transparency requirements of formal exchanges, where dealings appear even more detached from reality. The complexity of this kind of trading means that it is often impossible to tell whether a product like the derivative will be used to hedge an uncertain event or derive profit from it. At the same time, speculative wagers are now placed not merely on the uncertainty of the future, but also on the volatility of uncertainty itself. At Chicago's CBOE, a spinoff of the CBOT and the largest modern options exchange in the United States, volatility has its own index commonly called the VIX or “fear index”—a measure of expected price swings in the S&P options market. CBOE's virtual pit even trades volatility as an “asset class” with its own “index futures.”

  The denizens of these new temples of finance continue to fire up the public imagination. On first blush, we may intuitively recall the greedy yet charming hedge funders—immortalized by Leonardo DiCaprio's gregarious performance as Jordan Belfort in the 2013 film The Wolf of Wall Street—as the exemplary speculators of our time. But on closer inspection, a new and more tragic figure is emerging to usurp the suave megatrader of financialized capitalism from its throne. The modern-day speculator resembles Dr. Alexander Hoffmann, the tragic high-tech Frankenstein protagonist of Robert Harris's 2011 bestseller The Fear Index: a tormented physicist-cum-financier confronted with VIXAL-4, an omniscient AI algorithm with the power to predict fear—including Dr. Hoffmann's own fear of losing himself entirely in a battle with the mercurial forces of finance. The novel was adapted to a TV series with actor Josh Hartnett rummaging the streets of Geneva injured, haunted, limping, and sweating while searching for clues to his own past and future, plunged into a nightmare reality where it is impossible to distinguish fact from fiction.

  Yet beyond this dreamlike world of hyper-technologized finance, contemporary markets’ thirst for volatility is reminiscent of our own immersion in the gamified reality of financialized digital media, where speculation breaks out of the organized digital pits to become a mass spectacle. With retail trading of highly volatile assets exploding in the post-2008 crisis era, meme stocks and crypto trading platforms, decentralized finance (“defi”) and decentralized applications (“dApps”) provide the online bucket shops for our time's virtual punters. Mass “shorting” events such as the GameStop saga—a grassroots short squeeze on the price of the iconic video game retailer organized via social media and making headlines in January 2021—betray a world where volatility is treated as an opportunity in society writ large, with ordinary people sowing (rather than averting) uncertainty to reap profit. Following a long trail of speculators for whom the worlds of wizardry and reason were never too far apart, today's short-sellers care little about untangling reality and fiction in their “augmented” everyday lives, from the Metaverse and Web 3.0 to the in-game trading of nonfungible tokens. They are drawn to strange narratives, increasingly untethered from material reality and woven into the mainstream. Perhaps most alarmingly, the confusion sown by this radical fragmentation of everyday experiences promotes right-wing conspiracy fantasies and regressive movements such as QAnon, which are moving rapidly from the fringes of political discourse to center stage.

  Under such conditions speculation once again emerges as an apt and imaginative response to the chaotic volatility wrought by financialized life—importantly, as a collective rather than merely individual act. The kind of speculation involved in these gamified worlds evokes a yearning for community and imagined connectivity, a joint “hedging” of uncertainty. Wagers across the economy and politics—from “crypto bros” coordinating their short sells around meme stocks to profit from destabilized prices to voters in Middle England sowing Brexit chaos in the hope of disrupting the liberal-technocratic status quo—are oriented toward new solidarities and often confusing political alliances. Such speculations place demands on the future in ways that encompass (rather than redress) doubt, ambivalence, and cynicism.

  Speculation is a definitive feature of contemporary life across the spheres of economy and politics. Since the early stages of nineteenth-century financialized capitalism, it has often been understood as a phantasmatic or parasitic logic driving the financial markets’ rapacious pursuits. But under the increasingly uncontrollable uncertainty of our financialized world, speculation also becomes a more productive mechanism to imagine community and collective coping with disorienting volatility. Speculation, in this sense, is not merely a symptom (as mainstream critiques in both economic and political theory often suggest) but a structure, something more foundational and generative. Therefore, it may also contain valuable answers to the financialization of modern life: if the only certainty about our future is its inherent indeterminacy, another future will always be possible, and fighting for it will never be futile. But how do economies and societies take up this challenge?

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183